Abstract

This article proposes an imperfect path facing the construction of the notion of sense throughout the institutionalization of the occidental discourse. in this way it is intended to question the idea of the science of sense and the theory of meaning so as to enable the polysemy, the paradoxes and the abnormality of the sense. These glidings, radical as they may be, tolerate and allow dislocations which are a characteristic of non-sense. The examples given intend to examine the non-senses of the speeches, the sounds and the languages in the works A Clockwork Orange and Alice in Wonderland.