Abstract

The Juan Emar's writing exploration in the field of feeling's fragmentation and of movement narrative possibilities, conscience and experience can be read in relation with techniques, imagination and thought about aesthetical, philosophical and experienced that the rising cinema is stimulating and convulsing all along first 20th century's decades. Even without taking out any of its genuity nor its challenge, any intermediary perspective wishes to show the framework of forces and knowledge, ways and possibilities that Emar's writing is participating.