Abstract

Beginning with the first image reproduction of the reality, more than 100 years of visualizing constant transformation of the city's landscape has produced a referential threshold for man's history. Image coupled with time is a parameter which allows us to organize and produce a manifold print, divided between artistic creation and the physical construction of the city. The visible marks of the past and the present reality were fused to prepare for the visualizing of an uncertain future - as a consequence of such it may be considered that visual arts render obsolete certain urban machines to live through others - , from which images set its trajectory as an artifact.