Abstract

All writing involves the putting into play of a subject, a subject who sustains the writing while, at the same time, coming into being. In this paper we show the particularity of the subject in the poetry of Tomás Harris. In order to do so, we will use the postulates of Paul Ricoeur, Hayden White and Hannah Arendt and we will focus on " El hombre sin brazos", a set of poems included in Ítaca and Crónicas maravillosas. © 2009 Universidad de Concepción.