Abstract

This article aims to examine the act of sound sensation in John Tavener Work (1944-2013) following the idea of logic of sensation created by Gilles Deleuze (1925-1995) and phenomenology of the body Xavie Zubiri (1898-1983). Through the concepts of from both philosophers it might be possible to draw the sound experience of vibration that proposes the sacred art of minimalism in the AngloSaxon composer.