Abstract

So far, it has not been enough to relate “La poesía chilena” (1978) with a bookobject, a funeral work, or a tomb as a tribute, but it has become necessary to recognize the elegy as an attitude or lyrical diction as a resource in the rhetorical design. To illuminates this premise, we will describe the work. Then we will approach an elegiac border and a 'as a post-historical condition', since Martinez would recursively use the elegiac as poliexpresividad through the expansion of the signifiers to generate new post-metanarrative reality.