Abstract

The article proposes a comparative analysis between La condesa sangrienta of Alejandra Pizarnik and the episode featuring for the Baroness Von Zumpe and general Entrescu in 2666. For this, we seek to establish the similarities and differences that occur between the two texts, emphasizing the notion of brutality they have in common. Also, applying the reverse process Pizarnik and Bolaño in the construction of horror and eroticism stands. While La condesa sangrienta focuses interest in explore the horror and blur sexuality, the story of Dracula’s castle points to overlap the evil and radiate Voluptuousness.