Abstract

The article will focus on the analysis of urban chronicle "Anacondas in the park ", belonging to the book The corner is my heart. Urban Chronicle (1995) of Pedro Lemebel. This chronicle shows the transgression to the disciplinary power that works in the public space. This aspect will become apparent in the examination of the violation of the disciplinary mechanism, through what Foucault calls the "minutiae " or " detail " in the terminology of Pimentel . Power exerts a disciplining of bodies by details that are parodied and even carnavalizados. The analysis also reveals the tension between the body versus the not body and the versus between ass and face, according to the disjunction raised by Octavio Paz.