Abstract

In the Mathematical Principles of Natural Philosophy (1686) by Isaac Newton, it is possible to recognize a disorder on a perceptive scale, which depends on the abandonment of the mechanical model of the craft. Following this clue, we trace the way in which Gilbert Simondon evidences a similar situation, just like Newton. It is about the renewal of this model, however guided by industrial thermodynamics, which leads to the schematics of self-regulated technical objects. Given this, it seems possible to grasp, in effect, kinesthetic distortions that broaden the field of sensations and affections. It is proposed to approach this question by opening the field of a physiomechanology and leaving a question about the significance of a proposal related to a mood or πάθος, at the level of tecnicity