Abstract

This article aims to review Miramar Hotel (2013) by the poet Egor Mardones from a new theoretical perspective such as polyiexpressive diversity, inclusion and expansion of the signifier of the sociocultural context of the time, reconciling some concepts such as: poliexpression, endotextuality, endoculturality, extimity, etc. to warn, from a critical theoretical and aesthetic-semiotic approach, some strategies verified in the field of Mardones composition that triggered a responseresistance in the work