Social media in Chile’s indie music scene: crossing local and global boundaries
Keywords: Social media, music scenes, labor, digital labor, algorithms
Abstract
This chapter examines how social media platforms strengthen the independent scene in Chile by bringing artists closer to their fan base and helping them make decisions about their music in looking to international reach. Chile, isolated by distance and geography, has a small population (17 million) compared to other Latin countries, and is not as attractive to investments from the music industry. Based on data gathered from different actors within the current scene (bands, solo projects, label personnel, fans) from three cities (Santiago, Valparaíso, and Concepción) (N: 30), we discusses the impact social media has on the promotion and consumption of music; and on the organization of the scene across local and international boundaries. We argue that Chile’s indie scene centrally revolves around social media, not only for the promotion of music and gigs, but also to facilitate the exchange between music, fans, and labels. The centrality of social media has overcomes an otherwise sense of isolation from global music scenes. Indie values are configured around an entrepreneurial and adaptable spirit, and so has seen the most growth through social media, even though some tensions emerge for different actors of the scene in relation to self-promotion, socialization, and precariousness.
Más información
Editorial: | Palgrave Macmillan Ltd. |
Fecha de publicación: | 2021 |
Página de inicio: | 97 |
Página final: | 115 |
Idioma: | Inglés |
URL: | https://www.palgrave.com/gp/book/9789811645808#aboutBook |
DOI: |
10.1007/978-981-16-4581-5 |
Notas: | Publicado. |