Abstract

Understanding the instance of representation as a normativity separated from experience, both in the aesthetic aspect and in what concerns the deliberation of common life, it is intended in this article an approximation of the artistic and political spheres. In order to point to the connection between these two dimensions, we mobilized some reflections of Jacques Rancière that can lead us to an explication where art suspends all principle of action, thus leading to a rupture as weel as in perception and appearance. In this exercise, when privileging cinema, one can find resonances with literature, in novels where the descriptive effect breaks with any diegetic resolution necessity