Abstract

Historically, the concern for intellectual creation has tended to hide, in a fetishistic way, the work and materiality necessary for its circulation. This implies that the mind or genius of the creator is privileged (generally thinking in masculine terms). In this obliteration falls even the contemporary concern for materiality, which usually ignores its own materiality, that is, it ignores its very contextual and production conditions. This essay reflects on the place of the page on which the thought is inscribed, but, at the same time, making explicit that it is done from a hand articulated to a brain, to a body.