Nada.jpg_thumb90

Patricio de la Cuadra Banderas

Profesor Asociado

PONTIFICIA UNIVERSIDAD CATÓLICA DE CHILE

Santiago, Chile

Líneas de Investigación


Modelamiento físico de Instrumentos musicales; Acústica instrumental; New interfaces for musical expression; Sound synthesis; Computer Music

Educación

  •  PhD in Computer Based Music Theory and Acoustics, STANFORD UNIVERSITY. Estados Unidos, 2005
  •  MSc in Electrical Engineering, STANFORD UNIVERSITY. Chile, 2000
  •  MA in Music, Science and Technology, STANFORD UNIVERSITY. Estados Unidos, 2000
  •  Ciencias de la Ingeniería, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE. Chile, 1992
  •  Licenciado en Música, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE. Chile, 1997
  •  Ingeniero Civil de Industrias, mención Ingeniería Eléctrica, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE. Chile, 1995
  •  Intérprete Superior, mención Flauta Traversa, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE. Chile, 1997

Experiencia Académica

  •   Profesor Asociado Full Time

    PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE

    Artes

    Santiago, Chile

    2006 - At present


 

Article (16)

An Inclined Plane: A Simple Model for the Acoustic Influence of the Flutists Face
The Secret of the Bagpipes: Controlling the Bag. Techniques, Skill and Musicality
An interdisciplinary study of the 1832 conical Boehm flute: history, geometry and acoustics
Autour des instruments de musique. Une recherche pluridisciplinaire
Music in a bag? Controlling the bag of Majorcan and Galician bagpipes
Nuevas interfaces para la expresión musical: el caso del Arcontinuo
Playability in flute-like instruments: Investigating the relation between flute making and instrumental control
Understanding the Quality of Subject Object Interaction: A Disciplinary Model for Design Validation
Specific features of a stopped pipe blown by a turbulent jet: Aeroacoustics of the panpipes
Designing a Musical Instrument: Enlivening Theory Through Practice-Based Research
Modeling the receptivity of an air jet to transverse acoustic disturbance with application to musical instruments
Antaras Aconcagua: An acoustic and anthropological study [Antaras Aconcagua: un estudio antropológico y acústico]
Scaling of Flute-Like Instruments: An Analysis from the Point Of View of the Hydrodynamic Instability of the Jet
Sonido Ritual, Campo de Fuerza y Espacialidad Existencial: Una Estética no Musicológica de los Bailes Chinos
Estrategias de composición audiovisual basadas en sinestesia, isomorfismo e inteligencia artificial
Analysis of Flute Control Parameters: A Comparison Between a Novice and an Experienced Flautist

ConferencePaper (7)

Fuzzy equalization of musical genres
Sonification of medical images based on statistical descriptors
Kara: A BCI approach to composition
Measuring lips control on flute-like instruments using active vision
Real-time simulation of prehispanic antaras from southamerica
Spectral stochastic resonance sound synthesis
The Arcontinuo: A performed-centered electronic musical instrument
7
Rodrigo Cadiz

Professor

Electrical Engineering

PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE

Chile, Chile

23
Patricio de la Cuadra

Profesor Asociado

Artes

PONTIFICIA UNIVERSIDAD CATÓLICA DE CHILE

Santiago, Chile

1
Pablo Irarrazaval

Professor

Electrical Engineering

Pontificia Universidad Católica de Chile

Santiago, Chile

1
Marcelo Andia

Associate Professor

Radiology

Pontificia Universidad Catolica de Chile

Santiago, Chile

1
Cristian Tejos

Professor

Department of Electrical Engineering

Pontificia Universidad Catolica de Chile

Santiago, Chile

3
Alvaro Sylleros

Associate Professor

Pontificia Universidad Catolica de Chile

Santiago, Chile

1
Aarón Montoya

Profesor Jornada, Coordinador Línea Tecnología y Nuevos Medios

Facultad de Arquitectura, Arte y Diseño

Universidad Diego Portales

Santiago, Chile