Man

Amparo Fontaine Correa

Profesora asociada

Pontificia Universidad Católica de Valparaíso

viña del mar, Chile

Líneas de Investigación


History of early modern culture and knowledge ; early modern global encounters ; history of music and the arts ; French and Italian Enlightenment ; material culture studies

Educación

  •  Historia, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE. Chile, 2010
  •  Early Modern History, UNIVERSITY OF CAMBRIDGE. Reino Unido, 2013
  •  History, UNIVERSITY OF CAMBRIDGE. Reino Unido, 2019

Experiencia Académica

  •   Max Weber Postdoctoral Fellow Full Time

    EUROPEAN UNIVERSITY INSTITUTE

    History

    Florencia, Italia

    2018 - A la fecha

Experiencia Profesional

  •   Investigadora Full Time

    Philarmonie de Paris - Musée de la Musique

    Paris, Francia

    2019 - 2019

  •   Docente Other

    European University Institute

    Italia

    2018 - 2019

  •   Docente Full Time

    Pontificia Universidad Catolica de Chile

    Chile

    2020 - A la fecha

  •   Docente Other

    University of Cambridge

    Reino Unido

    2016 - 2017

Premios y Distinciones

  •   Max Weber Fellowship award

    EUROPEAN UNIVERSITY INSTITUTE

    Italia, 2018

    Max Weber Fellowship grant for postdoctoral research, funded by the European Union


 

BookSection (4)

Musical Bodies: Materiality, Gender, and Knowledge in Musical Performance in 18th-century France
‘Tea’ ; ‘Salt’ ; ‘Sugar’ ; 'Lute' ; 'Inkstand' ; ‘Sugar caster’ ; 'Coffee beaker’ ; ‘Sèvres sugar bowl’
"Alejandro Lipschütz F" ; "Joaquín Luco V." ; "Jorge Mardones R."
El circo chileno. Una aproximación histórica a través de testimonios orales

BookWhole (1)

De una esquina a un continente. José Codner y un sueño hecho realidad

ConferencePaper (9)

Musical harmony, from celestial spheres to the public sphere in 18th-century France
Musical instruments as tasteful possessions: from instrument makers to collectors
The Arts of Politics and the Politics of the Arts in Eighteenth-Century French Thought
Encountering Knowledge in the Early Modern Period: A Discussion
Italian musicality and national character in 18th-century France
The musical amateur in eighteenth-century French culture
Embodied Knowledge. Methodological considerations of the histories of culture and science: Introduction
Music and Material Culture: Introduction
Training the musical body. Musical performance and salon culture in eighteenth-century France

Proyecto (2)

Chanot-Chardon lutherie, sound expertise and material practices in Paris
Musical genius in eighteenth-century France and Italy
16
Amparo Fontaine

Profesora asociada

Historia

Pontificia Universidad Católica de Valparaíso

viña del mar, Chile