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Magdalena Teresa Pereira Campos

Professor and researcher

Universidad Adolfo Ibánez

Viña del Mar, Chile

Rural and indigenous History and Art History in the south Andes. Circulation of images, iconography and material technologies in commercial and religious routes (c. XVIII -XX).

History, Art History, UNIVERSIDAD DE SEVILLA. España, 2019
History, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE. Chile, 2001
Art History, Universidad de Sevillla. España, 2011

Professor Full Time

UNIVERSIDAD ADOLFO IBANEZ

Liberal Arts

Viña del Mar, Chile

2020 - A la fecha

Director Full Time

Fundacion Altiplano

Arica, Chile

2004 - 2019
coordinator Part Time

Chilean National comission for religious cultural assets

Santiago/ Arica, Chile

2001 - 2005


Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature-controlled stage for the study of thermal induced antlerite degradation Tomasini, Eugenia P.; Costantini, Ilaria; Rua Landa, Carlos; Guzman, Fernando; Pereira, Magdalena; Castro, Kepa; Manuel Madariaga, Juan; Maier, Marta S. Article ISI JOURNAL OF RAMAN SPECTROSCOPY (2021)
Evangelizing images in the Route of the Silver: The iconographic program of the Baptistry of the Church of Curahuara de Carangas Article ISI GOYA (2016)
The andean colonial family and the image of San Jose in the mural paintings of the church of Soracachi In Bolivia Article ISI SCOPUS HISPANIC RESEARCH JOURNAL-IBERIAN AND LATIN AMERICAN STUDIES (2016)
THE RELATIONSHIP BETWEEN IMAGE AND SPOKEN WORD IN THE CHRISTIANIZATION AND THE CATECHESIS PROCESS IN THE SILVER ROUTE. POTOSI-ARICA Guzmán, F; Corti, P; Pereira, M Article ISI HISPANIA SACRA (2014)
The Indian Trifronte Parinacota: an iconographic enigma Corti, P; Guzmán, F; Pereira, M Article ISI COLONIAL LATIN AMERICAN REVIEW (2011)


Conserve the Sacred: The Profound Needs of the Indigenous Communities of Arica y Parinacota, Chile Pereira, Magdalena; Lorenzon, Marta; Nitschke, Jessica BookSection (2020)


The indigenous presence in the south Andean aesthetics and its circulation between the valleys of the Colca and Arica in the viceroyalty of Peru (XVIII century) Pereira, Magdalena Proyecto (2022)
The chuse, a divine textile Magdalena Pereira Proyecto (2020)
Documental Archive of Missions Route Arica y Parinacota Pereira, Magdalena Proyecto (2019)

Fernando Guzmán

Director

History

UNIVERSIDAD ADOLFO IBÁÑEZ

Santiago, Chile

Magdalena Pereira

Professor and researcher

Liberal Arts

Universidad Adolfo Ibánez

Viña del Mar, Chile

Magdalena Teresa Pereira Campos

Líneas de Investigación

Educación

History, Art History, UNIVERSIDAD DE SEVILLA. España, 2019

History, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE. Chile, 2001

Art History, Universidad de Sevillla. España, 2011

Experiencia Académica

Professor Full Time

Experiencia Profesional

Director Full Time

coordinator Part Time

Article (5)

Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature-controlled stage for the study of thermal induced antlerite degradation

Evangelizing images in the Route of the Silver: The iconographic program of the Baptistry of the Church of Curahuara de Carangas

The andean colonial family and the image of San Jose in the mural paintings of the church of Soracachi In Bolivia

THE RELATIONSHIP BETWEEN IMAGE AND SPOKEN WORD IN THE CHRISTIANIZATION AND THE CATECHESIS PROCESS IN THE SILVER ROUTE. POTOSI-ARICA

The Indian Trifronte Parinacota: an iconographic enigma

BookSection (1)

Conserve the Sacred: The Profound Needs of the Indigenous Communities of Arica y Parinacota, Chile

Proyecto (3)

The indigenous presence in the south Andean aesthetics and its circulation between the valleys of the Colca and Arica in the viceroyalty of Peru (XVIII century)

The chuse, a divine textile

Documental Archive of Missions Route Arica y Parinacota

Fernando Guzmán

Magdalena Pereira